No. 29 (2019)

View No. 29 (2019)

Published: 2019-07-12

Ensayos

Theatrical Praxis an the Political: Demand, Teatristas, Audience

Gustavo Geirola

1-22
- PDF (Spanish)
The Katak by Spregelburd and the Triumph of a Speech without Language

María Victoria Coce

23-32
- PDF (Spanish)
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization

Nicolás Perrone

33-45
- PDF (Spanish)
The fourth wall as a Compositional Language?

Carlos Emmanuel Brizuela Cabeza

46-60
- PDF (Spanish)
Nostalgic Allegory of a Defeat. Notes on "Escuela" by Guillermo Calderón

Javiera Larraín George

61-75
- PDF (Spanish)
The "comedia de figurón" on the 21st Century Stage: "El narciso en su opinión" by Rafael Calatayud (2009) and "El lindo don Diego" by Carles Alfaro (2013)

Purificació Mascarell

76-87
- PDF (Spanish)
The Ayacucho International Meeting of Group Theater and the Odin Teatret: Origin, Dialogues and Perspectives

Carla Dameane Pereira de Souza

88-102
- PDF (Spanish)

Dossier

Presentación. Politicidad, memoria y experimentación estética y documental en las realizaciones teatrales y performáticas argentinas de los 60 a la actualidad: avances de investigación (I)

Beatriz Trastoy

103-106
- PDF (Spanish)
The Interrelation of the Arts in the Construction of Autofictional Discourse

Beatriz Trastoy

107-120
- PDF (Spanish)
"A Long Season of Altitude". Intersections between Theatre and Photography

María Fernanda Pinta

121-129
- PDF (Spanish)
"Deformances": Possibilities for a Theatrical Cartography of Gender Disobediences at the Centro Cultural Rojas (1984-2014)

Guillermina Bevacqua

130-155
- PDF (Spanish)
Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical

Malala González

156-168
- PDF (Spanish)
The Reconstruction of Collective Memory: Theatricality and the Public Space

Silvina Alejandra Díaz

169-182
- PDF (Spanish)
The Poster as a Political Aesthetic Device

Marcos Perearnau

183-203
- PDF (Spanish)

Críticas de espectáculos

Being(S) in Past, Present and Future Time. Live and Projected Body in Margarita Bali's piece "Hombre rebobinado"

Verónica Lucila Cohen

204-213
- PDF (Spanish)
On the paratextual thresholds of Eleonora Comelli's "Qué azul que es ese mar"

Maite Salz

214-220
- PDF (Spanish)

Reseñas

Publicaciones recibidas

Publicaciones recibidas

231
- PDF (Spanish)